Part 1
Fae!Angus.
Fae. Angus.
BEST NEW MYSTIC KNIGHT IDEA.
For real - this has completely taken over my other head canons, and I've been thinking it over ever since @schimmelspore came up with it.
I love it.
It's the best of all worlds: it doesn't change anything about the first season, Angus can still play the "common peasant" part whenever he wants, and it adds so many other plotlines to the mix. It even fits with all my ideas for an impossible second season - it's great.
Now - I'm prone to being self-indulgent with stuff like this, so I wanna tone down the ideas I had in the last thread. The last thing I want is to bend the whole story around him (even though, hilariously, Angus was picking up a serious Second-In-Command role among the Mystic Knights in the later episodes, so I feel like the writers were bending the story to feature him as soon as Rohan was off dealing with his family drama or being in a coma ๐). So I've put a few restrictions on and googled a few other things.
1. I'm not super sure I like Angus being a prince anymore ๐คฃ
He doesn't need to be. Great, 'cause it feels like cheating? To make him a super cool omg actual fae, and also a prince? We had the prince reveal with Rohan, and it is so much funnier picturing Deirdre trying to force Angus into uncomfortable, fancy clothes at boring, stuffy events, and Angus only putting up with it because she's his friend - because he's not expected to (because he's not a prince), and he is so not doing this as her subject. Technically, if he's a fairy, she's more on his land than anything uwu
I love it because none of the knights can refuse a royal command from Deirdre right now. Either they're all visiting royals who know how to respect the rule of this land's law, or they're peasants who've been raised to know their place. For Angus to not be a prince, but to no longer be subject to Kells' rule, it builds a really fascinating dynamic between the two of them. Deirdre's forced to interact knowing her crown is meaningless, which has never been the case before. It's always held some power over other people. And sure, Angus was always a bit flippant and careless when he spoke, but she had the authority to shut him up if she had to, so she allowed most of it. Now? She's got no authority.
It's like how she is with Aideen, only a hundred times worse: Aideen has always made it clear that she only does them favours as favours. Now, Deirdre's going to have to be hit with a moment where she insists Angus listen to her, just to realizes, "... Shit. He's a fairy. He doesn't actually have to." The episode where Fin Varra has to rule Kells for a day and tries to turn Angus (lol) into a Spriggen for insulting him, then realizes, "shit i don't have my powers"? That's how that moment's going to go. Every conversation is going to actually have to be a conversation now.
I wouldn't mind an episode about that, either. Aideen can get sick of them and fly off, and Angus (who's already prone to stomping off) can walk away from Deirdre too. Will he get thrown in jail? Sure, maybe! But then she's going to have to accept that the only reason Angus listens to her is because he doesn't want to be in jail. I'll get into stuff about magic in a sec - we already know Angus can pick a lock, so keep that in mind instead.
Imagine Deirdre does butt heads with Angus over the course of that episode, and that Angus starts digging his heels in more and more until he snaps and says he doesn't have to listen to her. "I'm a fairy. You wouldn't be telling Aideen what to do, so don't tell me."
She replies that she can't lock Aideen up for refusing a royal command. He says she wouldn't even try if she could, because Aideen's not her subject, and neither is Angus probably (๐). She's furious at his defiance and says, "You're not Aideen," basically threatening him with going to jail.
Angus goes, "Well, princess, then lock me up. It'll get as much out of me as yelling, but at least in there, I can have a nap."
And she does. She has to. She's a princess, and he can't talk to her like that. Maybe later, she feels awful about it; Rohan could've said something about friendship, or Cathbad about the little people, or her father about commanding one's friends, or even Aideen about how bossy Deirdre can be. So she goes to the jail to see Angus, who's relaxing in there, and tells the guards to let him out.
She's almost about to apologize, but Angus 'forgives' her before she can. Not smart, 'cause she's still hurt by how Angus was ignoring her. So she says she'll only let him out if he promises to listen to her from now on. He might be a fairy, but she's princess, and this is her castle.
And FUCKIN' ANGUS says:
"So it is. But like I've told Maeve in her castle -"
OH BITCH WHAT DID YOU SAY Deirdre explodes at the comparison, and says if he's going to treat her like the enemy - like Maeve - then he can just stay in the dungeon after all. Back in he goes, and off she stomps.
The rest of the episode can be a real soul-searcher for Deirdre. I'd want it to be more of a Deirdre episode than anything; Angus really isn't changing at the end of this. But Deirdre can now walk through her village or her castle and talk to people, trying to take her mind off how rude Angus was, and get into a situation where a peasant's a little rude to her. Maybe she breaks one of the wares of a travelling merchant, and the merchant yells for the guards to make her pay when Deirdre says she doesn't have any gold with her right now.
The guards show up, say that she's the princess, and the merchant says, "I don't care who she is, she broke my stuff!" And the guards - for this merchant's insolence - haul that merchant off to jail. Deirdre tries to intervene because she knows the merchant's technically right, but the guards say that it's always been against the law to insult a member of the royal family.
She says, "As a member of the royal family, I'm ordering you not to take this man to jail!"
And the guards say, "But if we don't, then we'll be breaking the law. And we'll be going to jail."
And she says, "But if you do, then..." And realizes she's kind of got everyone in a lose-lose situation.
The other Mystic Knights come up because they see Deirdre's in a bind, and Ivar purposely suggests that perhaps, the guards simply misheard what the merchant had said, and that the princess was letting them know about the mix-up. And Garrett just so happens to have some gold with him, which is enough to pay for whatever it was that Deirdre broke. And the merchant's about to protest this again, but there's Rohan with a Draganta Stare™ to shut that down. Everyone walks away, and Deirdre's left there with the others.
It's kind of her first chance to see how little power she actually has. Her crown puts even the people who are loyal to her at odds with her authority. The only reason no one went to jail now is because her friends knew what she wanted, and were able to help make it happen. It could be a neat way for these four to bond, especially if Rohan says maybe the reason he's never felt a prince is because no one's been afraid of him - unless they're on a battlefield. :)
The thought of people being afraid of her really sticks in her mind. She even says outloud, "People used to be afraid of Maeve." And that inspiration is enough to get her to go back to the jail and order the guards to let him out for real this time.
Before the guards actually do, Angus could thank her for her generous, merciful charity - and then say he's still not gonna do the thing she threw him in here for not doing. She can maturely take a deep breath at that, say she sees the error of her ways, and then say she cares too much about Angus as a friend to want him to only listen to her out of fear. She likes having his opinion on things. He's always had a unique way of seeing the world, even if it's hard to hear occasionally.
But.
Deirdre isn't some pushover. Maybe he's right that he doesn't have to listen to her. He isn't one of her subjects, and Kells is his home, not his prison. But this is her castle, and he should be listening to her as any good guest would. That's what Ivar and Garrett are doing - and Rohan too, in a way. And more than that... he should want to help her as her friend.
Angus, who's still in the cell right now, says it's hard to help someone as a friend when they treat you like a servant. Deirdre, for her part, can admit that, but says she has to be able to give orders. She's the princess. She doesn't even have a choice; sometimes by just exist, people are ordered to carry out the crown's will for her. It's smothering. Angus might be the one in the cell, but Deirdre's the one who feels trapped.
Angus - ummmm... points out again that he is in a cell.
Deirdre's about to be a mess, 'cause of course that sounds like Angus wasn't even listening now. But Angus cuts her off, finally relenting, and says, "Look. I'll make a deal with you: you get to be the princess giving everybody orders, and I'll be the fairy roaming the castle for fun. If you want something, ask. If I don't want to it, I won't. But if I want to do it, as a favour for my friend, then I will."
Deirdre says that doesn't sound fair to her. It basically seems like he isn't going to help her with anything.
Angus says no, he's not, if she can't ask and can only order it. But he also says she should have a little more faith in him than that. They are friends, and he's always helping her when she doesn't even realize it. For example -
He just opens the cell and walks out lol
She's surprised for a moment, but then slowly says, "Right. Magic."
Angus says, "No. Keys. :) I took 'em when you almost let me out the first time. But! But, but, but - I didn't use 'em 'cause I knew you'd be angry. So I stayed. As a favour to you. As my friend."
It's like a peace offering. Deirdre thinks about how to respond, and eventually takes the keys and hands them back to the guards. As her friend, she's going to generously, mercifully, and charitably order that everyone forgets Angus just did that. One of the guards might try to protest, since he quite literally stole the keys to his cell, but Deirdre will add that as part of her royal order, she wants everyone to forget the guards let him steal those keys. So that shuts them up, and they scurry off.
Angus, free again, finally apologizes for their fight. Deirdre shrugs and says it's proof that someone in Kells isn't afraid of her. Angus says he's terrified of her, and that's the real reason he stayed in the jail: protection. He can't imagine how red she'd be if she found out he'd escaped. Kells is his home, and he wants to be able to sleep in it with both eyes shut.
It's a fun story that'd simultaneously explain how Deirdre, Garrett and Ivar all adjust to Angus' newfound identity. Deirdre would have it the hardest, but the two would certainly appreciate the pain of having someone in their kingdom that they couldn't control. For Garrett, that would be his brothers. :/ For Ivar, it's his sister's pet dog.
There are still some adjustments needed for King Conchobar, since he's not really sure what to make of Angus now. He's pretty always treated Angus as "Rohan's funny friend who does crime and also my daughter wants to make out with him," and as a Mystic Knight, Angus is still going to follow those orders. It's more about coordination than commands, really. So the only questions Conchobar has is, "๐ค How much fairy magic are we talking about exactly?" and "I know he's not a king, but is he like... a noble now...? Or something? He's not living in the castle." And honestly, that second question is the status quo for the show lol Angus gets away with a lot so I don't really think much is going to change in how they talk to each other. It's more that Conchobar will now always ask what Angus can do whenever they make their battle plans. I'm debating how Angus would feel about that uwu
Speaking of magic...
2. I want his to be conceptually simple
The fae in this show can just sort of do whatever. They transform stuff, summon stuff, conjure stuff, enchant stuff, scry on stuff, predict stuff, fix stuff, and make illusions of stuff. Aideen does everything from "make pants out of grass" to "heal herself", seemingly only limited by size.
After googling some Irish mythology specifically so I didn't try to bastardize something that already exists, I saw two big themes:
- Fairies use a lot of magic to purposely fuck with humans, both for fun and as revenge for being antagonized
- Fairy magic can often be used to explain some human phenomena
As in, "Something bad happened, blame it on an encounter with a fairy."
The vibe I got is that if you mess with a fairy, even accidentally, there is a 1,000,000% chance that they will return to get your ass. If you don't mess with fairies, there's about a 30% chance. If you actively try to befriend fairies, there's a 50% chance, but there's also a 50% chance that it works and they're really niceys to you uwu
CASE IN POINT, THIS DAMN POST PUBLISHED EARLY AGAIN AND I WAS FREAKING ABOUT HAVING ACCIDENTALLY LOST THE ENTIRE DRAFT
WOW OKAY I BROUGHT THIS ON MYSELF, I GET IT, I'M SORRY
I will make local copies from now on ๐ญ
I'm also gonna pick up from here 'cause ๐คท๐ฝโ๏ธ I wasn't finished, so sit tight
Part 2
AND WE'RE BACK!
uwu So as I was saying, fairy magic is built to fuck with people.
The cool thing about Irish fairy mythology is that it doesn't have an overly clean separation between "good" fairies and "bad" ones. Idk what's up with Midar being the 'Dark Fairy Lord' or whatever (I guess even Tir Na Nog has emos), but it's more of an individual thing. Some are super, inherently dangerous, and their magic is like, "You have until the bark of three to get home before you die," but whether or not they themselves are dicks or friendly has to do with the particular fairy you're dealing with.
Here, we know what Angus is like. We also know from Conchobar trading places with Fin Varra that one time that magic in the show is tied to intent. We also-also know that if Angus had the power to grab any little thing he wants, or summon it, teleport, shapeshift, any of that, the guy would be unstoppable.
I don't want to lock him out of all the fairies' powers, but I think he's going to naturally specialize in something because of what he's interested in, and over time, he get can more, just like how Fin Varra was purposely drip-feeding the Ancient Scroll to them. If this show worked out the way Saban hoped it would, that thing would've had fifty pieces by the end.
The other interesting thing I noticed is that fairies love gold. In fact, they're surrounded by it because they love it so much. But in the episode where Fin Varra gets captured, how does he get caught? Exactly - he physically walks over to the trail of gold left out to lure him away and physically picks up the pieces.
Along those lines, Fin Varra has only ever 'flown' once: when he was in a basket. Why does that matter? For the same reason as the gold: the fairy magic in this show seems to be limited to things that don't directly benefit whoever's casting it.
I know - that's so specific, right? But Fin Varra only flies when he has something else - a basket - to enchant. He can't levitate some gold? He can turn other people into Spriggens for annoying him, but he can't do that to Midar during a fight? Likewise, Mider can summon super-ghosts and runestones for Maeve, but he can't just teleport Tyrune into Tir Na Nog and kill everyone?
The two main exceptions to this possible rule is Aideen shapeshifting into a mouse, and Conchobar gagging Rohan and Ivar when he had Fin Varra's powers. Shockingly, I'm gonna argue that Midar disguising himself as Angus that one time does not count. Why? 'Cause I think fairies are the type to have the mental gymnastics needed to go, "No, no, that doesn't benefit me. That benefits Angus. That gets him unshrunk. Am I secretly Angus in this case? Shut up, it still works."
For Aideen, I can explain it as 'she's a pixie'. The different types of fae aren't interchangeable in actual Irish mythology, so I'm assuming they wouldn't be in this show either. Let's say it's something special that pixies do.
For Conchobar, that's more interesting. I want to say it's to do with the lack of conscious intention. As in, "Sure, it ultimately benefitted him, but he didn't even know what he was doing so it didn't directly benefit him." Mental gymnastics. And then taking the gags off didn't benefit him at all, so he was good to do that.
That makes me go back to what the tests were: Angus had honesty, and Deirdre had selflessness. So I can't tie it back like, "The only way Angus can cast magic is if he's selfless." He's selfless enough anyway. I also don't have to tie it back to the tests at all, but I want to because they felt like ways to highlight a personal arc/main character weakness. In the interest of limiting Angus' magic on a show where being physically larger makes your magic more powerful (like when Midar got big), I'm gonna have to rely on the mental and emotional components.
Sooooooooo
I want Angus to be able to swap things.
I KNOW - THAT'S SO SPECIFIC, RIGHT?
Hear me out:
Angus likes to take shit. I don't want to give him a whole bunch of powers that let him waltz in and grab everything even if it is nailed down.
Angus is also a thief. I don't want him to specialize in a power that completely negates his carefully developed skill at pickpocketing or lockpicking, but I also don't see how he wouldn't zero in on any abilities that help him to do that. It's what he's commonly thinking about, it's what he most often does, and if Conchobar can unintentionally summon gags, Angus will unintentionally stumble onto something that lets him take something else. The trick is that after he's done it once, he won't be able to consciously do it again because it would directly benefit him.
Give him a week, and the loophole is, "I'm not taking that for myself! Noooooo - never! What I'm doing is helping this piece of gold trade places with this onion so that it's sitting in the sun and gets to glimmer. :) How would that benefit me? Because I'm right beside where the onion was? I'm not even in arm's reach - I still have to walk over to it! It's such an inconvenience, and honestly, I might as well not have to bothered swap it since it's equally as inconvenient for me to get as before. More inconveniently actually, because what I wanted was the onion, and now it's all the way over there. :( ... ok did that work? give me the gold. I WASN'T LYING, IT WAS TRUE AT THE TIME, AND NOW IT'S FIVE SECONDS LATER, I'M LOOKING AT IT WITH FRESH EYES. Anyway, it's still behind a locked gate, just a different locked gate. Time to lockpiiiiiick!"
He's so impressed when that other druid blows up a vase that he'd only be doing it to have fun - and because of that, he wouldn't be able to do it. He's also so impressed that the annoying kid-prince can put his hand through a wall that he wouldn't be able to do that either (and he couldn't do it in that episode lmao). He also just loves magic, so anything big or showy is going to instantly hit this mental block of, "I directly benefit from this, and therefore I can't cast it."
But magic where he has to incrementally swap the places of two different things, having to honestly believe that it doesn't directly benefit him to do so, and at each swap, all to sloooooowly and chaotically move a single item down a chain of swaps until it's as close as he can get it 'cause he can't fool himself anymore?
First off, RIP Cathbad's chambers.
Secondly, LMAO.
Thirdly, I could see him being so intensely focused on it, forcing himself to practise, practise, practise until he's mastered swapping stuff, because he's such a "Plan A works? Okay, let's use Plan A forever" kind of guy. Don't fix what ain't broken, and use the loophole for as long as you have it. He's also used to having so little already that if this is the only kind of magic he can get to work, he's gonna cling to it for dear life.
But there's a few more layers to it.
Not only is this a power that can scale up really well, with him being potentially able to swap a whole castle with a stick in some random field (assuming he can convince himself that he doesn't directly benefit from that, meaning "Why tf would I do that?" becomes a built-in safeguard to simply not cast certain magic at all), but it limits what he can do in a fight. He's still a knight, he's still gotta fight, but how bullshit would it be if he could just Spriggen Beam everyone on the battlefield?
Instead, it falls in with his existing style of being tricky. No, he can't consciously replace your sword with a carrot, but maybe he can replace the guy you're fighting with another guy you'll have to fight. How does that benefit him? Technically, it doesn't. You're still having to fight someone. But imagine the freaking jumpscare the guy you're fighting would get from being about to attack the Princess of Kells and now suddenly being about to attack the Prince of Rheged. It'd throw him off completely, and that's exactly the tactical opening that benefits Deirdre and Garrett, not Angus.
Of course, if he does that too often, it becomes an excellent way to win a whole fight, which does benefit him, and therefore hits his mental limit.
The next layer is how I think it actually suits the idea of fairy magic being used to play tricks on humans. You put something down, it's not there anymore. You can swear it was, but it isn't anymore. What you don't see is that it got swapped out with something else on the table, which is there, and the thing you're looking for is in the place that this thing on the table came from.
At least once, there's gonna be a bucket of water in a room and some guy being an asshole to Angus, and he's gonna replace the guy's hat with the water in that bucket. Does it benefit him? Probably! But since he's for sure going to have this guy try to kick his ass or get dragged off to jail for insulting a royal, it doesn't - like... y'know 'directly benefit' him because there's a bigger consequence attached to it.
(And oh boy, once Angus learns that's a rule he can factor in? This is the guy who volunteered to distract the dragon while the others ran before he even got his armour; he is going to go bananas with making these trade-offs.)
It fits his personality, it fits his habit of always getting himself into trouble, it fits with him making terrible excuses and lies to cover up something he actually did, and it fits with the fairies in this show having a grand ol' time messing with humans. I bet the only reason Fin Varra can give out those riddles is because he's actually reading the future, but can only do it if he knows it'll be hilarious to watch the Mystic Knights take forever to figure it out. See? Not a direct benefit. That's the sort of logic you learn among the fae.
The next-next layer is that because he's so focused on one type of magic, he can accidentally do so many other types. But why hasn't he done any of it before?
... i mean...
The easy way is to say, "He doesn't know he has that power." Which is a bit :/ when you think of how it's possible to cast something accidentally. Instead, let's go with, "He couldn't."
The closest he gets to even attempting to do magic himself is the lodestone. Other than that, just Cathbad's powders. Even accidentally casting something like Conchobar wouldn't be likely, because with how Angus probably grew up, he'd be more or less desperately wishing for magic to happen - and therefore walking face-first into the reason it can't.
So swapping thing helps him have a consistent ability, and any other magic that exists can pop in to keep things interesting as one-off abilities. And before that could happen too often, remember that Angus likes magic, so getting to do something new at random might end up in "This directly benefits me, because I can see how much magic I can do!" territory.
Remember, this is the guy who keeps saying "I can do better magic than Cathbad," and then never does any magic on-screen. I don't think he'd know he was a fae, because he never corrects anyone who calls him a human, but I think he's made something happen and was so delighted and obsessed with making it happen again that it became too much of a direct benefit to ever consciously work. It's not until someone explains this rule to him that he starts making progress.
The veeeery last layer to it is the - uhhhhhhhhh :)
Well. Changelings.
That idea got stuck in my head too, and I really do like it. I was trying to think about how I'd personally make it work, and that actually helped lead me to the 'swapping things' idea. The story of changelings is quite literally that fairies swapped their sickly fairy-baby or old-adult-baby with a better-looking human baby. The idea that Angus has a power directly related to that really and truly tickles me with its significance.
And on that note...!
3. I don't want Angus to angst about his past
Well, not really. I love the idea of him and Rohan having a hard time growing up. It's my absolute favourite thing. I don't know why. I like kids, but for some reason, I want these two in particular to have a miserable childhood - with the express intent of having them be closer to each other because of it, not because hardship is good, but because it informs their loyalty and commitment to the other one (with Angus actively hiding the worst of it from Rohan, and Rohan being the type of person that Angus knows he has to hide it from).
But Rohan's the one who angsts. Angus is all about loyalty omg he does not stop beating the Loyal To A Fatal Fault drum, but he doesn't mention his family once on the show. That's all Rohan. And I don't want to put Angus in a situation where he suddenly goes, "Woe is me, I gave up everything and got nothing out of it" endlessly unless it's funny or heartwarming. Angus is the more the type to casually mention that he gave up a lot of stuff because he knows it'll be appreciated. He wants a thank you. (And it so hard for this show to give him that.)
So I see Angus finding out he's a fairy from a different fairy kingdom, and that his whole family might be alive at that kingdom right now, and him going, "mm-hmm - so how do I hold my hand to summon the gold?"
I also especially see Angus' family seeing him again and being like, "Oh. :) Welcome back."
And him being like, "Hi! I think I'm supposed to be your kid?"
And them being like, "Oh, probably. :) Here, eat this pie and tell me what you think."
"... Is it magical pie to tell me if I'm your son?"
":)? It's pie."
"Oh. It's good. :)"
":D Yay! You owe us one gold piece now. Also yes, you're our son. Did you need anything or want more pie?"
Like - that kind of vibe. Not that they don't care or didn't notice, but it's just not a big deal that he left or came back. They're human-sized fairies, so I figure they usually visit the humans, and Angus found himself out there for waaaay longer than most of them.
Now, for Rohan having a villain arc? Yes, absolutely, bring the angst by specifically having Rohan throw being a thief at him. But I don't think Angus'll sit around being sad until that fight. If anything, I'd want him to be relieved he's found a group of fairies who'll very clearly, and very openly answer his questions if he pays them a fair price. They all love a fair trade and love to negotiate and make contracts and then trade those contracts, which drives the Tir Na Nog fairies crazy, because they hate negotiating prices (lolololol I'm thinking about Angus and that 'pouch of gold' shenanigans - "There was a pouch, it was full, and there was gold in it"). But that's fine, because these fairies hate dealing with the Tir Na Nog fairies since oh my god, just say what you're trying to say.
In terms of a backstory, I'm still thinking about how I'd want Rohan and Angus to meet. I love the idea of Angus voluntarily leaving his home to go hang out with Rohan, so it's more to do with Rohan's half of the story that's stumping me. Having him swapped with half-demon Lugad - making them brothers that way - works, but getting Rohan out of that fairy land again is the hard part.
So I still think the best way for it to happen is if Angus decides to help Rohan go home, went along too, lost both their memories by doing that, and then they stuck together afterwards. That should be less angsty than Angus having given up a whole fairy kingdom or something - which is, y'know, cool, but a bit much even if I was the one who said that part. :P
(i mean, he did. he still did. he would've still left that fairy land kingdom behind for rohan. he just wouldn't've been a royal, is all, which is arguably better because all fairies have magic but only a few have a flippin' job ๐ญ)
(ok so i do want the angst of that a little, i just don't want angus whining about it rohan-style, and not-being-a-prince means rohan can treat it like a 'lesser' loss than his own to fully embody his villain phase)
Also, I - just...
I can't bring myself to strip Garrett of one more thing to openly brag about. If there's no peasants in the Mystic Knights, who's he going to feel superior to? :( It's for his sake, really. Selflessness!
(Wait, okay, other thought I just had: how pissed would Aideen be about Angus and Rohan being best friends while Angus is a fairy? She's been pretty dang warm to the guy this whole time, but if she finds out that Rohan is that close with another fairy - one who's maybe had to compete for a few seconds with a dragon for attention, but who's never had to transform himself into a human for Rohan to listen to him - she's gonna have such a goddamn complex that she might literally pop.
I realize there was a whole episode about Aideen learning Rohan thought her being a fairy was awesome, but look at this from her point of view:
- Tries for more attention than a dragon - doesn't work
- Turns the princess into stone - doesn't work
- Turns herself into a human - doesn't work
- Tries to flirt when Rohan's pixie-sized - doesn't work
Meanwhile, look at what she's up against:
- Deirdre: exists
- Angus: best friend since childhood
- Pyre: dragon
- Ivar: swore a life debt to Rohan the day they met
- Garrett: has a car, also technically saved Rohan's life with a gift he got from his side-chick to the polycule, but it's 60% the car
- Lugad: half-brother
(rohan would be such a fucking car guy in a modern au -_-)
And now you're gonna tell her that HIS BEST FRIEND from BEFORE ROHAN can even REMEMBER is also now a FAIRY? And not just any fairy, but one from that OTHER FAIRY KINGDOM with all the CONTRACTS and LONG ANNOYING PRICE TAGS?
like a little firecracker
just a pop
Rohan's gonna look around and go "what was that" and see two wings on the ground and say "hm that's interesting, now back to my dragon")
Part 3
HRRRRNNNNNGGGGG - brain making thooooughts, coming up with a new fake-Season 2 episooooooooodeeeeee
Okay so I've been thinking about the "fairy magic can't directly benefit the fairy casting it" rule/observation/theory I made, and how well it fits with what we see from the show.
I mentioned Fin Varra's riddles as a way to get around giving the Mystic Knights a clear answer (very indirect) in order to tap into some future-sight (extremely beneficial) to help them. With Fin Varra ruling a fairy kingdom, and these Knights fighting to protect their own and Tir Na Nog, any advice Fin Varra gives them immediately loops back around to helping himself. So the riddles give a little buffer as a loophole to access that level of magic.
It might even be why he tells them that they can only summon their armour in times of dire need. If it's too easy to summon, it's too direct of a benefit. By saddling it with the cost of them needing to get their asses kicked a little first, that magic keeps being available to them. It might be why Fin Varra's big contribution to that attack on Kells' castle when he's ruling Kells for a day is just to tell Deirdre and Angus to summon their armour: maybe he was giving them a 'shortcut' to do it, and because in that moment, he wasn't wearing any mystic armour, it was good to go for those two to summon it.
(I mean, that's always been an inconsistent rule, since as the show goes on, they really do just jump to summoning their armour anyway. But there are also a lot of fights in the show - even in the later episodes - where they fight without their armour. So yeah, they aren't summoning it for every single fight.)
Likewise, Midar not just teleporting Tyrune into Tir Na Nog - and more than that, instructing Maeve to summon monsters from time to time using that runestone - seems to follow the same logic. He can summon monsters, like those spirits in the Halloween episode, but that was as part of a deal and the control of them was put back under Maeve.
It's almost like he needs Maeve to be a buffer for him. If he's summoning the monsters for Maeve, or giving her a runestone to boost her powers, he's basically got unlimited access to his own magic - so long as he keeps Maeve on a tight enough leash to always have her goals aligned with his. Hell, that might be why he's helping her at all! This guy's got the magic to take out a human kingdom with active warriors and fairy armour, but he needs Maeve to take over a fairy kingdom with no warriors at all? Because that would be too much of a direct benefit for him. If Maeve does it, he can help her endlessly instead.
It comes back to what Cathbad said about the fairies being tricky: if this is how their magic works, this fuels that trickiness out of a basic necessity. :D They have to be roundabout, they have to make trades, and they have to tell riddles and lies.
And then it goes a step further. The wood elf gave Angus a wish for saving her, right? Like I said, in a lot of Irish mythology for fairies, a human has to catch that fairy before they can be granted a wish. Not that this is actual Irish mythology, but if we were to explain how something like that could happen in this show, catching a fairy would be the ultimate free pass to that fairy's magic. They've been cornered into it and aren't even dictating what magic is being cast, so there's absolutely zero direct benefit to them at all. The wood elf using it as a reward makes sense then, since she's very "๐ ugh, humans" about having to give any thanks (even though she could've literally just said thanks and left :D), which unlocks her full magical potential.
It also goes back to the size thing. The wood elf's bigger than any of the other fairies we see, so her wishes probably give more than a pixie's wish would. Again, we see how much stronger Midar gets when he's made big, and I think the only reason it didn't happen for Fin Varra is because that was a deliberate switch to make him rule "like a human" as much as possible. A wish at Midar's size would be gigantic.
It's telling that despite Maeve saying a wood elf's wish can be powerful, her mind doesn't go to "Make me Queen of Kells" but "Banish the Mystic Knights." She probably knows there's a limit to how much she can ask for. If we think about it, Angus probably would've only got as much gold as that wood elf's magic was able to summon (ANOTHER reason they should've just let him keep his stupid wish ๐ญ). So Maeve kept it smaller: send five people away forever (not kill, tee-hee), which a wood elf could probably do.
All of that is context for me to say:
Angus is big. ๐ณ
Well, he's human-sized. And I'm assuming that his fairy magic is still with him, just inaccessible 'cause he forgot how to tap into it. And there are human-sized fairies in the Irish list of 'em. That seems to be how changelings are possible in the first place: that would be a BIG BABY you'd be taking in and swapping with a teeny baby otherwise. So it's totally possible that Angus is from human-sized fairies, with all the magic that that may or may not bestow.
I mean, here's the thing: Midar got super powerful because he had all that magic, and then got scaled up to a human size. The proportions went with him. A fairy that was always human-sized might not be instantly more powerful than a smaller fairy. Maybe they're the same, maybe it's actually less, who knows?
What I'm thinking is that human-sized fairies probably aren't as powerful as smaller fairies, for the same reason that elephants' tusks have been shrinking: hunters poached all the ones with big tusks, so the only ones to move on to have calves were the elephants with smaller tusks. Now maybe Angus - if he's from a group of fairies that still actively swap babies rather than completely blending in with humans - has more magic than those who've been (very likely) hunted down by humans for wishes. Probably not as much as if they'd completely pulled away from humans and hid like the ones in Tir Na Nog, but if I want that "Rohan was swapped" angle, Angus' group has to have had some access to humans in some way.
In other words, how potentially powerful is Fae!Angus? I dunno! Probably more than a druid, if only because he wouldn't be limited by ingredients. Probably less than a wizard, unless he were to actively study how to use his magic in the most optimal way (lmao he's not gonna). Let's say "more than Maeve" but "less than Nemain" at his full potential. That'll still take quite a lot of time to build up to, but that much power answers a lot of other questions you could ask about how everyone got to where they are in this show.
But as for the episode I'm picturing in my mind, how potentially powerful is Fae!Angus? I dunno! But if he doesn't give us a wish, we'll just kill him. ¯โ \โ _โ (โ ใโ )โ _โ /โ ¯
Yup - in my mind, this episode would be almost immediately after whenever they find out Angus is a fairy, too. I'd like to think Angus is pretty excited about it, happy to chat about it with the others. I'm not sure who'd be the most likely out of them of to bring it up first out of Rohan, Deirdre, and honestly Garrett, but one of them would say that this is great, because fairy magic could be just what they need to defeat Nemain. If that goes anything like it did in the episode with the wish, it'd be while Angus was talking about all the (simple) things he could probably do or get or eat, and at the interruption, Angus is either gonna give a "haha yeah anyway back to what I was saying" or a ":/ hm. yeah."
From there, they'd obviously let Cathbad know. There's no way they wouldn't. And Angus would probably be on board with that, because now maybe he can finally prove that he's been better with magic this whole time after all uwu. And as much as I see Cathbad having fun poking at him over it, I can also see him shushing everybody and immediately showing concern. Because hey, cool, Angus being a fairy is awesome and all, but shut up about it, there's a reason everyone thought the little people were a myth.
Back when fairies co-existed with humans more openly, there'd be some humans who'd thirst for power and actively hunt these fairies down. Kingdoms like Tir Na Nog weren't just made to give fairies a home, but to protect themselves from humans who'd seek to destroy them for their magic. So even though it's nearly impossible to Angus out of trouble, it'd do them all a lot of good to be careful with this knowledge.
Of course, uhhhhhhh... I mean, that's probably not going to work out like they'd hope. First off, Nemain has even more ways to spy than Maeve did, so she'll probably conveniently find out somehow.
If not, I could see Deirdre blurting it out, either trying to explain something to her father and botching it to the point that this is the only good explanation she can give, or getting overprotective and trying to coyly ask for a way to protect Angus somehow until her father forces the truth out. Maybe the next time Angus swipes something, Deirdre's very badly trying to say, "He can't help it, because uhhhhhhhhhhhhhh. Uhhhhhhhhhhhhhhhhh - I don't have a good way to finish this senence but it's not his fault."
If not that either, I could see Rohan trying to prod Angus into seeing what he can do, stupidly saying it while others were around and attracting suspicion from a few people who hear, and Angus having to be like "hahahaha he's just joking, i can't actually do that hahahahaha." I could also see him being overprotective and being like "ANGUS DON'T TOUCH THAT, THAT'S IRON" or "IS THIS MERCHANT SELLING A FAIRY-FINDER? SMASH IT NOW' and Angus going "๐๏ธ๐๐๏ธ i have survived just fine without all this, wtf are you doing"
All three of those would work perfectly together to build the conflict up. First, Nemain catching wind of this lets her plant little seeds of chaos to imply Angus is suddenly dangerous, using his magic for evil. Maybe she's watching him practice with Cathbad, trying (and failing) to light a candle, and then there's suddenly fires happening everywhere. Maybe trying (and failing) to shape some water leads to a water monster attacking from a nearby well. Maybe some of the royal treasury goes missing, or looks rifled through, and is conveniently left just beside a circle of iron chains, where it could go no further if a fairy was trying to steal it.
All the trouble leads up to the villagers saying they've been cursed by a fairy. They go to the king to complain, who says the only fairies they know about are the ones in Tir Na Nog, who've only ever aided them. And of course, it isn't them. Not satisfied, all the nearby villages start putting up fairy wards and leaving gifts to hopefully appease whoever's cursed them, which naturally disturbs all the Mystic Knights - even more when they have to slap an apple out of Angus' mouth because don't eat the gifts, even if they're "technically for him".
The curse seemingly continues unabated, and while they're sure that Nemain has something to do with this - especially when she has Midar who can tell her what to plant to scare everyone - they can't do anything to stop her. And right around then is when Ye Olde Ghostbusters arrive, more than happy to offer their fairy-hunting services. They won't even need to be paid, since they'll take their payment out of the fairy itself. The king shrugs and allows it, but says that fairy must be brought to him first, because they have a war going on with Temra still and they can't risk having another with an unknown, magical kingdom.
Aideen is absolutely going to make herself scarce after telling Rohan (and Angus) about the fairy hunters who've arrived. She can't risk being caught out here by them, or bringing them back to Tir Na Nog. If Angus knew what was good for him, he'd get out of here too. Maybe if they wait for long enough, the fairy hunters will move on.
Well, Rohan's not going to stand for this at first, but Ivar steps in to warn him against interfering. Being too hostile to the fairy hunters might catch the wrong attention from them, and with how close Rohan is to Angus, it wouldn't be hard for them to guess who Rohan's protecting. He also shoots down Deirdre's offer to hide Angus in the castle somewhere won't do much good either, since it's that sort of change in everyone's behaviour that'll make the fairy hunters take a closer look.
They might think about this for a little bit, before Angus says, "... There's one part of the castle I'm normally in..."
Damn, I think this is the third theoretical episode I've typed up, and I'm three for three in locking this poor man behind bars. ๐คฃ But it's safe, it keeps Angus under watch (for his own protection from the fairy hunters), and it's completely normal for him to be in there. The fairy hunters even come around while Rohan is "visiting," which is also normal, so Angus isn't alone with them.
... They do take a light interest in Rohan's interesting birthmark, though. But they leave. :) It seems like Angus is gonna be okay.
In fact, after a few more fruitless days of searching and finding no trace of a fairy here, the hunters assume that it's hiding outside of Kells and sending the curse in. They'll start exploring the forest and mountains, since that's usually where fairies hide. It's dangerous in there, though. Say, just to help them out, could the very powerful Draganta escort through them a part of the forest that's near the border?
Everyone: ๐คจ
Rohan: ... sure.
Garrett's the Mystic Knight of Forest, so that becomes his excuse to tag along too. The fairy hunters are fine with this. Mystic Knight, is it? :) Draganta too?
So they head off, Rohan and Garrett planning to be back by evening.
They are not back by evening.
Angus' Oh-Shit alarm is going off in his head. The others are trying to get him to relax, and even say the only thing those hunters are after is a fairy. Rohan and Garrett will be fine, since they aren't ones.
I do like the idea of having this conversation in a way where the king's kept in the dark as long as possible. I know that would never happen because there's only a thirty-second wait after something happens before somebody blurts it to him, but for now, let's just say it's actually succeeding. Even within that, Angus remembers one hunter finding the mark on Rohan's arm interesting, and that was the same mark on the Ancient Scroll - the one written by fairies. Maybe Rohan's human, but these hunters wouldn't turn down a chance to make very, very sure of that.
It's enough convincing for Ivar and Deirdre to want to check it out - but there's Deirdre, insisting that Angus stay here. Because UHHH what if Rohan and Garrett come back. Or something. Perhaps. Uhhhhhh. But Cathbad says it's because two will move faster than three, and with Rohan away and this curse still affecting the kingdom, Cathbad will need Angus to help him find a solution.
The king agrees to this, and sends everyone off to do their thing.
Ivar does eventually find the others' trail, and eventually comes up to a camp where Rohan and Garrett are tied up, separated from their weapons. The hunters are right in the middle of saying that the mark on Rohan's arm might represent destiny, but it means he's been changed with a fairy as a child. This'll be the first anyone's heard of this, because at this point, all they knew was that Angus was a fairy and met Rohan as a kid, nothing more than that. Finding out now is pretty shitty, because the hunters are trying to find out if Rohan's the human child they kept, or the fairy child that was abandoned. Rohan's gonna file that away in his Reasons To Angst About Family And My Abandonment Issues (along with brand new "You were going to do all these tests to Angus if you'd caught him?!" Reasons To Freak TF Out), obviously, but the hunters are seeing the question as a win-win. Either Rohan's a fairy outright, or he knows where the fairies are. One way or another, they're about to get their wish.
Ivar and Deirdre attack, there's a big fight, and they cut Rohan and Garrett loose. The four of them are more than enough to fend the hunters off, who take this - and the other failed tests - to mean Rohan's a human who knows where many, many other fairies are. The hunters escape, and they sort of turn into this season's Sentinels: a pack of villains who have it out for the Mystic Knights and Draganta in particular, and want their payment.
That's the main thing: I want these threads to carry over for a while, with Rohan directly threatened, Angus and Aideen and Tir Na Nog indirectly threatened, and Kells now in a very odd place in their relationship to fairies, as word of them might spread to other fairy hunters. Rohan'll have to grapple with what it means for him to be wearing a mark that essentially says "SWAPPED", and needing to speak with Lugad about it since it puts him in danger too. That can be a very Standard Rohan Angry And Confused conversation as the guy works out that Lugad must've been the fairy child that was swapped out. They'll both have to figure out by who, and ask why Rohan doesn't remember being raised by fairies or anything about his childhood at all.
That conversation can probably happen back at Kells' castle, with Rohan sharing what he knows about the mark now. Cathbad might say that this would explain Draganta's significance: someone who lived in both worlds, even if Rohan doesn't remember it. They'll need to look into this further, and keep a watch for any other hunters. They'll have to warn Tir Na Nog and limit any visits there, lest they lead the hunters to it, and the king says that even in the castle, they should keep Angus a secret.
Everyone: ๐๏ธ๐๐๏ธ
The king's like, "I wasn't born yesterday. If I didn't already think something was happening, then Cathbad insisting he needed Angus' help would've been enough." (Angus is gonna be omg so smug that it was Cathbad who did this.) "But clearly someone else knows, and whoever they are, they're the ones who brought the hunters here in the first place. If Kells loses the magic we've gained by working Tir Na Nog, it won't be long until we fall to Temra." Followed by, "๐ So Angus, if there's anything you can do to help..."
Angus is like, "um yeah i'll get right on that"
Conchobar's like, "๐ so what can you do exactly? Because my soldiers could use -"
Deirdre goes ๐
Conchobar ends his sentence uwu
(We need a fuckin' episode where Conchobar is hounding Angus to do fairy magic ๐คฃ I don't know why that's suddenly so fascinating to me, but for a guy with a on-staff druid, I think Conchobar's a teeny bit more fascinated with the stuff than he lets on. Cathbad's been around since even Conchobar was a kid, and as that other druid shows up, Conchobar was immediately like ๐ there too)
I'd want the episode to end almost like it did with that episode for the Sentinels. We'd see Nemain telling Midar, "Your plans for a fake fairy curse worked excellently. Now we have new allies against the Mystic Knights. In fact, they'll be here soon to discuss our new arrangement."
And Midar's like, "You brought them here? Need I remind you that I am a fairy?"
Nemain goes, "Of course not. ๐ That's why I'm telling you: so you can hide before they get here."
Midar goes >:O and jumps into his cup.
Then Nemain tells Lugad, "You'll need to hide as well. You might only be half a fairy, but I'm not willing to risk our future King of Ireland on these hunters' greed."
Lugad'll nod and lumber off, and Nemain will be there to greet the hunters that came in. I don't see her fucking around: she tells them exactly where Tir Na Nog is. But the hunters brush it off. They aren't looking for paltry pixie magic. A changeling means there are human-sized fairies around, and that's where the real magic is. No matter what it takes, they're going to make Draganta confess where he came from, and then they're going to get the very last wishes those fairies will ever grant.
Nemain says, "In that case, you'll need to defeat the Mystic Knights. So long as they stand together, Draganta will never reveal what he knows."
It's so calculated. She does know Angus is a fairy, but if they're going to waste time chasing after all the Mystic Knights, that's better than only siccing them on one. ๐
Part 4
(เฒฅ๏นเฒฅ) I'm building on that little fic I narrated about Rohan and Angus growing up and how Angus was managing it.
Mostly I'm picturing that moment from when they first met (in my head canon), because it's crystal clear to me that Rohan was just lying unconscious in the middle of a forest, and Angus was hovering over him when he finally opened his eyes.
How'd Rohan get there? (เฒฅ๏นเฒฅ) I changed it. I've got this other post I'm debating posting, but it has to do with the bits of Irish folklore I researched saying that demons are their own race, not just another type of fairy. It wasn't a ton of research, and I do want to share it, but right now, it's just to rethink the context in Angus and Rohan meeting.
If demons are essentially their own thing, and if Maeve was willing to sell herself as a slave to Midar for power, who's to say she didn't have Rohan for the sole purpose of selling him to demons to buy power too? She says he was stolen from her, but with her creative way of interpreting most events, that could easily mean she thinks she got ripped off, and that Rohan was sold for less than what she thought she'd been promised. Maybe that's Lugad's 'fault': he was a half-demon, not a whole demon like she thought she'd get.
I haven't figured out how Rohan would get out of being sold to demons, since it has all the same problems with being stolen by fairies (how does he get back to Ireland?) without the easy "Oh, Angus takes him back to Kells" option. Idk, I'll figure it out later. (spoiler: yay i did! he never left)
It also means I'm back to figuring out how Angus is so confident in his ability to do better magic than Cathbad, but without the "he can sometimes do magic but doesn't quite remember how it works" reason. But I'm willing to handwave it for now as saying Angus paid about as much attention to learning how to do magic as he did in 'class' when Rohan was trying to learn the rules to the ancient druid duel. Maybe he's a crappy student, or maybe he's got magic but he's too self-centered to make it work along the "no direct benefitting" rule, or maybe all fairies need to 'recharge' and he's never been back to wherever he's really from, so he lost it. (spoiler: i'm sticking to 'bad student' who doesn't know how to tap into his magic. it fits the show the best.)
Anyway: there's Angus. He's seven years old, and he's a young fairy kicking around a forest. (Is he actually seven, with the different ways of aging fairies have? Probably, or else the exact equivalence of what being seven is to humans.)
This is probably a forest he's been to a lot. It's probably 'his' forest - his family's - and why he's wandering through it. We do know Angus gets in trouble when he's left alone for too long, and the idea of this place being isolated from humans helps explain why he's so comfortable walking around on his own, despite being so jumpy at the first sign of danger throughout the show: he's safe.
The way actual Irish folklore puts it, the fairies live in a sort of parallel world on top of ours - like a spirit version of it, where they walk through and among the humans completely invisibly. I'm still learning how they'd crossover to screw with humans, but for now, let's say Angus is invisible. Let's also say that with so many legends of fairies being caught and forced to give humans a wish, he also knows that humans can be dangerous if he isn't careful and clever. But he hasn't met a human yet. He's only heard about them from other fairies.
In the middle of this forest, in a clearing he's crossed through a hundred times, Angus sees a figure lying on the forest ground. I've always imagined this was in the fall, where everything is yellow and red as far as the eye can see. Coincidentally, it lines up with those being Rohan's (and Kells') colours too. :) But right now, this figure sticks out like a dark, mud and even soot-coloured lump.
Angus is deciding if he should go see what it is. It could be a log that blew in, or a really... weirdly shaped animal of some kind. Occasionally, I imagine someone calling out to check that he isn't wandering too far, and Angus calling back to say that he isn't (lying). That's the last little thrill he needs to push him towards investigating.
Aideen doesn't realize that humans eat for energy, so there are probably some parts of what humans are that Angus doesn't know either. But - still invisible - he's able to go over and decide that this is not an animal. And even though it's the same size as him, it doesn't look like a fairy either. There's no threat in stopping to puzzle it out, since Rohan's unconscious and no one else is around, so Angus gets to check what this thing is and eventually guess that it's a human.
Whoever was calling out to Angus eventually wanders over to where he is. Angus - unbothered if that other fairy (I assume) was annoyed at having to look for him - says he found a human. This other fairy has Angus step aside to see, and Angus - who's probably intrigued by how much smaller humans are than he thought - is saying they can't be that dangerous if they just lie here in the middle of forests.
That other fairy (I'm thinking it's like a nanny of some kind; I'm not getting a "Angus' parent" vibe from it) is checking this human out, explaining that it's probably gotten lost from the nearby village. There've been more human villages popping up lately. Their type of fairy is lucky they can hide in this invisible, fairy world, because this is a young human - hardly grown at all, but still a problem if it grabs them. The fairy stands up again, idly telling Angus to leave it here. The other humans will be searching for it, surely, so it's best to let its own kind take it home.
Angus says he's going to stay to watch those other humans. The other fairy obviously says no, but since this is Angus (there's no way he doesn't already have a reputation for not listening), scoffs and simply warns him to stay out of sight. There are some particularly perceptive humans that exist, and sometimes they can catch glimpses of the fairy world - so Angus would do well to hide behind a tree and watch from afar. But other than that, the fairy leaves to tend to whatever else it was out here to do, partly assuming Angus would get bored and leave again.
Angus stays. And well into the night, too. Rohan hasn't woken up yet, which certainly fits with being injured, but there aren't any other humans around or even in the distance. But he is getting bored, and the only thing that keeps him from going to the village himself is the distant sound of voices just beyond the nearby trees. He goes to those instead, seeing much larger humans out there, walking back with a cluster of dead ducks tied up.
If Angus (still fully magical) doesn't eat and doesn't quite understand hunting for meat, that'll probably snaps a new threat into the mix. Why did they kill so many ducks, and where are they taking the bodies? But the bigger question that'll probably come out of that everlasting boredom is 'where are they going', because the human lump is in the opposite direction of where they're headed. There's no way he's going to keep waiting for these creatures to come over here, so he picks up a rock and throws it over.
The hunters look around but don't move. Angus throws another rock, and another, but before he can throw one again, the humans scream about spirits haunting the forest and run away, dropping the ducks that they swear are the reason the spirits are after them. So now Angus is really bored, and also really confident that humans are so easy to trick. He wasn't even trying and he spooked them out of the forest. Real spirits are obviously a lot more scary, and if there were any here, Angus wouldn't be.
He takes the ducks. He might not understand what exactly eating is (he's going to absolutely understand soon and hate being hungry), but he knows how it looks for someone to be gathering something. He spreads them into a trail leading over to Rohan's clearing, and goes back to wait - after piling up enough moss for a comfortable seat.
Another fairy comes by the next day, truly shocked that he's out here on his own. Angus says he's been hidden this whole time, but he's waiting for some humans to come take the little injured human away. There were some, but they were frightened off, and now he doesn't think any are going to come by again. They left all their ducks.
This fairy titters, because it's always fun to spook the humans, but goes to see what little human that Angus is talking about. It finds Rohan in that clearing. The boy's half-buried in the leaves, and no one's actually touched him to see what these injuries are. It's strange for a human to be so still for so long, yet still be alive, so there might be more at play than merely being hurt.
The fairy uses a bit of magic to whisk away the leaves...
... and stops.
And stands.
And goes over to Angus quickly, telling him to leave.
The fairy says Angus he's not to go anywhere near that human. It's dangerous. It's marked. On its arm, where the leaves had it covered, is a symbol that the fairy won't explain except to say it's an omen left by demons. Yes, humans may be easy to trick, but not by fairies alone, and the tricks that demons play bring nothing but harm and misfortune everyone. Angus needs to leave before the curse spreads to him too. If it does, they'll have no choice but to leave him to his fate.
And then it hurries away, desperate to escape the very thought.
Angus does panic at that.
He leaves, too.
Two more days go by before Angus decides to chance a peek at the clearing again, just to see if the human was still there. The other fairy had gone back to the others, Angus following closely behind, and told everyone about the mark on Rohan's arm. There was concern that the curse may have caught Angus too, but Angus never touched Rohan, and the fairy had used wind to move the leaves. Everyone is nervous, but they accept that they'll be extra careful about their luck. Hopefully nothing has happened, and the other humans will take it away.
But Rohan's still there.
Angus leaves again.
Two more days pass before Angus is sure the humans have come by again. They haven't. And Angus is starting to panic harder. Maybe he scared off the only humans that'll come here. The ducks are gone; did someone take them but leave Rohan there? Maybe he's just too hidden behind the trees to be found by any humans - they seemed a little slow, and if tricking them is easy, then maybe this is part of the problem.
But he can't live with a cursed human in his forest. That's too much for him.
Angus tries to find anyone else in the forest that he can lure in. He's still invisible, but he can affect things. Bird calls, noises, rocks - he doesn't see anyone for ages, and the two he finds are scared off from the forest as well. Apparently, this forest is known to be haunted by spirits. He asks the other fairies about that. It isn't, but they certainly help the humans think it is, since that keeps them out of these woods. Bad news for Angus, who needs humans to come.
He decides to drag the little human out of here. Being so careful not to touch it, Angus loops some vines around Rohan's ankles and starts to drag him. But the vines snap. Rohan didn't budge at all. It's almost like Rohan's stuck to the forest, and it's why he hasn't moved the whole time Angus has seen him here.
It must be a spell of some kind. He isn't sure what, but that's the only thing it can be: magic. And even if he doesn't know how to cast magic all too well, there's certainly one thing he's always had a talent for: breaking things.
With some effort to muster up the courage, Angus starts to find a way to get through whatever it is that has Rohan enchanted. Some sleep spell, it seems. Yelling doesn't break it. Neither do rocks. He finds water and dumps it on Rohan's head. Doesn't work. He finds a stick, trying to poke the boy awake. Doesn't work either. Then he remembers that humans can't see him like this, and thinks that has something to do with it. With greater effort, Angus shifts out of the fairy world and fully into the human one.
Then he tries all of his methods again.
This goes on until he's suddenly grabbed.
The steely grip around his neck is as cold as the metal below his chin. A human came here all right, but Angus is violently aware that it's here for him. The human - the largest he's seen yet, covered in armour - says he knew these woods weren't haunted. But they are protected by fairies, and with so many fleeing from this place lately, that was a sign that the fairies may have let down their guard. This human isn't going to kill Angus, and the metal that's winding its way around his neck isn't sharp, but it has him under some effect that's stopping him from shifting back. What's worse, the human drags him off his feet, dangling him in the air.
This is bad.
Angus is frantic, instantly kicking and flailing, but the human says he'd better cooperate if he doesn't want to be hanged from the nearest tree. Angus doesn't, so he stops. And then the human begins to explain a long, complicated, and very boring wish. Angus doesn't even realize he's supposed to be paying attention to it until the man shakes him into listening, and with a renewed horror, realizes the human actually wants him to grant all of this.
It's very bad.
But distracting enough for another fairy to strike.
And sure, let's do it: now it's Angus' parent. Being a larger type of fairy, being physical is just as much of an option as speech or magic, but the strike that deals its lethal blow is beauty.
We're gonna borrow a bit from actual Irish myth and say it's his mother. Why? Because there's a lovely little story about beautiful female fairies (and some male fairies) who take on human lovers (ooh la la) that mysterious die very soon after. They're called leannán sídhe, and they're kind of like a succubus and a vampire put together. Apparently they're so beautiful, mortals immediately devote themselves to that fairy and either waste away or go completely insane.
Following the logic that the show takes with what they cherrypick, I have no problem thinking the show would say, "Sure, fairies are sometimes vampire-succubuses who can Beauty Stun a mortal into hyponosis with one look, and then have them kill themselves or whatever that fairy's looking to have them do." And that's because there's another fairy - just male this time - called the gancanagh, which apparently seduces young women and leaves them to wither and die after a kiss. The combination of "North American kids know what vampires are!" and "Hey, this one's actually a fairy!" and "If they both act as a kind of succubus thing, let's just merge the two ideas for simplicity's sake. Bam - new single type of fairy!" and "Please don't put actual succubus-vampires into our show. Just say they're hypnotists and don't let anyone see what happens to the people they hypnotize."
(the leannán sídhe also seem to hate kids, but we're gonna expand a little to anyone who enters their territory. again, cherrypicking, don't read the original story of conchobar and deirdre ๐ซ do read it, but brace yourself)
I'm not totally trying to fawn over Angus here by saying "hey make him one of the hot fairies when he grows up." I promise. This is just to give these other fairies something different from the Tir Na Nog fairies, who seem to like riddles and quests and puzzles as a channel for their powers, and who fight by recruiting humans to do the fighting for them. These ones can be more direct in how they attack: you look at me, you like me, you do what I say, then you die. Swap the "look at me" with "look at the prizes you could win on my quests," and it's back to Tir Na Nog's style. It's not that different! Honest! And it's also not my fault that Ireland decided these particular fairies had to be hot. ๐
So little Angus is saved, the human hunter is dealt with, and Mama Angus is very, very displeased.
(idk i'm imagining her as the villain from MIB 2. she has the perfect look of Evil Fairy Mother.)
This is exactly the sort of misfortune Angus had been warned about. The humans are dangerous, she explains, and now they think they're brave. So there are going to be more humans on the way, because what human would ever turn down the chance to catch a fairy? That, of course, will lead to more trouble. Angus was told to leave Rohan alone, but he didn't, and all of them will have to pay the price of that choice.
What's going to happen to them? Well, that's up to Angus. The curse has clearly spread, and this little human's misfortune has become his. Break the curse, and all should be right again. How? That's also up to Angus. With that, his mother leaves. It's clear to every living thing in this forest that he isn't allowed to follow her home until this is done.
He has no idea how to do this.
He can't even move Rohan off the ground.
I'd think Maeve's deal with the demons would involve a ritual in the woods. (These woods. On Kells' side. She wouldn't do this and risk Temra.) Fancy deals like that call for something elaborate, like how she was trying to summon the ghost on Balin (Balen?). Six-year-old Rohan was purposely brought and left there to be taken by the demons as a trade for a stronger son. She gets her half-demon baby instead, cries foul, goes back to get a refund by taking Rohan back, only to find that Rohan already disappeared from the ritual grounds. She'll be furious and swear this is some type of theft, blaming the demons that she made the trade to.
Although this sadly loses the literal changeling angle (the spirit of it is still there, though!), what I love is that it sets Maeve up to have her own antagonist to deal with later. I'm convinced that in the second season, Maeve would've joined Kells to take down Nemain, and then turned on everyone to start the war back up. But you don't just want the first season rehashed. Having Maeve need to find a way to pay down a debt to the demons (which might be Balor, Lugad's actual father) would be fantastic. She thinks she only got half a demon for her first-born? From the demons' point of view, they didn't get any first-borns, and Maeve got a half-demon son out of it for free. They both think the other tricked them, and while it'd be nice to leave Maeve to deal with that by herself, the involvement of demons is super bad news and Fin Varra would insist the Mystic Knights help defeat Balor.
... but the hilarious part is that the reason Rohan wasn't at the ritual grounds to be taken by the demons is 'cause a random fairy stole him first uwu
Sure, you can see by now that Angus wasn't trying to steal Rohan, but he definitely got involved and threw a wrench into the whole thing.
As for how Angus got Rohan away...
Maeve is a whole-ass sorcereress. If she tried the thing with the demons, it would've been before she joined up with Midar and before she got her runestone. Whatever ritual she cast, it wouldn't be as strong as she could probably cast it now (or try to re-cast in a hypothetical season three? ๐).
Angus is a pickpocket and a lockpick. Those both work by having a single goal achieved by targeting a single point, and then finding the best, most exploitable weakness that gets him the access he needs. If Rohan's locked to the ground, Angus is gonna unlock it.
I imagine this would take quite a while. I imagine there'd be a few other humans appearing too, and Angus - hyper-alert now - would have to deal with them too, using all his non-magic tricks (because they're easier) to scare everyone off again. Maybe this is actually a good thing, as far as his mother's concerned, because this kid was not tapping into his own magic. This might force it to happen. If not, then unfortunately they can't afford to take Angus back, and the humans might be satisfied with just catching the one fairy. The realization that Angus can't grant any wishes should be enough to damper the humans' expectations. It's sad, but it must be done to protect the other fairies.
Give it another few days of endless frustration. Angus is losing his mind trying to make anything work to wake Rohan up. That's his plan: get Rohan up, get him out, and then the curse will at least be away. He'll go home after that. Easy-peasy.
It is neither easy nor peasy. But! He does eventually do it.
Like the stiffest, rustiest lock Angus will ever pick, to the point where the magic is finally just to get Rohan out of here more than to let Angus leave, there's a sudden shimmer around Rohan - like a shell of magic, revealing the shape of what has him trapped. Getting to see it lets Angus finally see where it's thin enough to pierce. In one last push, Angus hones in on that weak point, shattering it like glass after all this time.
He's exhausted and panting, because he's a kid who just broke through the ritual of a sorceress, but he's delighted with himself for having gotten through. He knows that from the shape of that shell, no wonder it took so long to break. It probably wasn't even supposed to break! Angus is just that good. ๐
But yes, exhausted. And he leans over to see if there's any sort of change in Rohan, who still hasn't moved. He's about to throw another rock or get a stick, but he finally sees some movement under Rohan's eyelids.
So Angus, just like that, becomes the first thing Rohan sees: tired, grinning, and pleased with himself.
And just like that, Rohan trusts him.
He lets Angus slowly sit him up. He lets Angus slowly help him to his feet. He lets Angus slowly help him stand on his own.
Rohan's mind is fuzzy. Angus asks him his name and he gives it, and suddenly that's all Rohan can remember. Everything was being wiped away as Angus had asked, and now everything else is gone. It might have been part of the ritual, or maybe from how Angus broke through, but that's the last - and only - word he's able to speak. He can't even repeat it. He can't really understand what Angus is saying either. The most he can do is repeat after him as Angus says both their names, trying to press it onto them, and at least picks that up after a moment.
There was a sword laid under him, since the show says Rohan always had it. Maybe to double down, it has Rohan's name etched into the blade too. But it feels familiar to him either way, and he's able to hold it properly. He's not able to understand Angus pointing him towards the human village, or Angus backing away to start heading to his own home. Instead, he matches Angus step for step: he backs up, Rohan steps forward, and on and on until Angus turns him around to face the 'right' direction.
Rohan stands there, silently looking around. Angus nudges him forward a little, and Rohan turns back around to face him and step towards him again.
... So... Angus tries leading him through the trees a little. Rohan doesn't mind that; he follows pleasantly. They walk quite a while until Rohan's stomach rumbles. And Angus is really left standing there as Rohan stops walking and ๐ฅบ's at him, completely unable to explain that he's hungry as hell right now.
I figure Angus catches him a duck. They have an equal amount of understanding for what to do with it.
They let the duck go.
Rohan sniffs something on the breeze and starts walking towards it. Angus is happy to let him go, but the second Angus starts leaving, Rohan's right behind him again going ๐ฅบ. Angus decides to take him to whatever the smell is (which smells... honestly fantastic - he's never been around cooked food before), and they walk until they come across a campfire, surrounded by three other humans. Rohan doesn't hesitate walking towards them, but damn his little baby hands, because he's got a grip on Angus' arm and brings them both over to the fire.
Very luckily, these are some friendly folks from Kells, who are happy to share their meal with two lost boys. Angus learns that this must've been what happened with the ducks, and sees everyone eating. Which is... new. But they offer it to him too, even though he says he's not lost.
They ask him where he's from.
He immediately decides to agree that he's, uh, lost. And doesn't know where he's from. But he'll find his way back, surely. Oh, are these woods haunted? Ohhhh. Well. Yeah, he'll go a different way later, but the main thing is making sure Rohan goes back to his home.
Rohan has no idea what anyone is saying. He's just eating his food. :)
These folks realize the boys must be orphans. Brothers? No, they just met. Friends at least, because every time Angus tries to get up to leave, Rohan ๐ฅบ's again and tugs him back down to sit. So Angus agrees that yep, they're friends, that's why they have to get Rohan somewhere safe, and then Angus can go his own way and visit later. (Food is great, by the way. Humans always do this? Fantastic.)
(i know we see Fin Varra eating pudding, so the sense I get is that fairies can eat, but they don't have to eat. And I think Angus comes from fairies who just don't bother with it at all.)
Everyone makes a deal: these folks are on their way to Kells, but there's a village just nearby. They'll take the boys there, and maybe they can find a place to stay. That sounds good to Angus, and obviously Rohan doesn't mind, so that's exactly what they do.
I'd like to think Angus is fully intending on sneaking out on after finding some other human kids and pushing Rohan into them. And he does this, expecting it to work instantly. Instead, one of the other boys starts getting annoyed at this intruder, even taking Rohan's sword away. These aren't the nicest kids, unfortunately. They were just the first ones Angus saw.
There's a real moment here where he isn't sure if he should do something, or if he should use the distraction to escape. He's pinned between both decisions until Rohan makes it for him:
Rohan, six-years-old, no memories, can't speak, but who's apparently "felled wild boars since he was knee-high"...
... fells this wild boar by beating the absolute shit out of that eight-year-old bully.
... and keeps going - oh my God, Rohan, he's down, stop it already, take your sword back.
Rohan seems very pleased with himself. Angus is pleased with him too, because it was objectively very funny. To them. Two violent, dangerous boys aren't welcome here. Go to the other village in the north.
Angus finds this a lot less funny, and a lot farther away from his forest.
๐คฃ I'll stop it there 'cause omg, I'd just keep going, and because at that point, it folds back into everything Angus described in the story he told Rohan. They kept moving, eventually they were caught up in an attack by the Temrans, and moved closer and closer to Kells until they made it there at last.
Part of me thinks Angus fully knows where his forest is, but even when he stomps off, he isn't going back. It's that loyalty to Rohan, the knowledge that Rohan gets into trouble if he's left alone at all, and the idea that there's a curse to be broken and he really doesn't know if he's broken it or not. Unlike Maeve, Angus' mother loves him. Like Maeve, she doesn't tolerate failure too well, so even though she'd hug him instantly if she ever saw him again, she would also - like... for sure cut his head off if he tried returning without finishing the job. And since he didn't exactly ask her any questions, he either did the job years ago and could've already gone back, or 'breaking the curse' means 'kill this kid' and Angus isn't going to ever get to return. (Which becomes that whole "Wtf Fin Varra, did you rope my son into your stupid Tir Na Nog war?! DOUBLE WAR.")
And if he doesn't know where that forest is, you know who'll find it? Ivar. Because Ivar is amazing and I do not give him the credit that man deserves.
Part 5
๐ I'm sorry if this ever starts to feel like spam. That's why I put it all under readmores - so at least it doesn't take up too much space!
Tiny one about ears :3
We don't see Angus' ears a lot on the show 'cause of his hair. There are a handful times where we do - when his hair's wet, for example - but for the most part, his ears are hidden.
He's also got that band around his head. It's kinda to hold his hair out of his face, I guess, even though it's always creeping down enough that it's not holding anything back at all, and Rohan doesn't wear one despite constantly getting hair in his face. But sure - it's for hair.
I'm imagining (mostly because of Schimmelspore's artwork ๐) how Angus could have possibly had pointed fairy ears this whole time without anybody noticing. Like, how would the show explain that?
:3
I think he'd tuck his ears under that band.
Just the tips of them, so his ears are lying flat against his head and completely hidden under his hair. And because the tips are under the band, no one would really notice that they were pointy. At most, someone might wonder how big his ears are that he's able to tuck them under a band at all - but be honest: who's gonna look that closely at a guy's ears, especially when they're hidden most of the time and you'd only see brief glances as he's jumping or something?
Little Angus, realizing he's gonna be out here with this human for a while, blending in with them perfectly by tying his ears back is such an 'him' idea, and Rohan for sure would never notice. Hell, why not have it be a 'Rohan' idea? Maybe Angus is worried his ears are sticking out too much, or that someone caught a glimpse of them while he was running. He says it as a general comment, and Rohan (thinking Angus just means he has big ears) gives him a little strip of hide to tie around his head. As a joke? Sincerely? Either way, Angus is pleased and grateful and ties it around his head, and then makes sure he has his ears tied every single day forever after.
I can picture Adult Angus losing his band (or trying to find it or make a new one) and him being immediately paranoid around the others, just for Rohan to laugh it off and say Angus has always had a 'thing' about how big his ears are. And that's why Angus is insisting that Rohan give him his cape, so Angus can wear it over his head on the way back to the hut or until he gets a replacement. They all shrug or laugh and treat it as a quirky new fact about their friend, and think nothing of it.
... And then when they learn Angus' true identity, the first thing Rohan asks is, "If you're a fairy, then where are your ears?!" (ok that's probably the second thing he'd ask, since the first thing would be why angus doesn't do any fairy magic)
And Angus is like, "... soooo... you know how I always wear a band...? ๐ "
Again, we do see his ears a couple of times, but rarely enough that I still think they could've gotten away with it. Just lie! Barely anybody would've known or noticed. :P
I do also keep flip-flopping on whether it's better if Rohan knows or not. Argh - this is just like when I'm in my shipping mood, but in the opposite direction: do I love it more when Rohan's actually oblivious to what's going on, or do I love Rohan knowing full well what the truth is and trying his best not to mention it because he doesn't think Angus wants him to know even when it's SO obvious to him?
I love both options ๐ญ
Adding: whether or not Rohan knows is mutually exclusive with Cathbad knowing. Angus has had to have been sick at least once - if not from general flu or illness, then definitely 'cause he ate something he wasn't supposed to or got into powders he shouldn't have. He would've needed some kind of care, and I do think Cathbad would've been the one that Rohan brought Angus to (assuming he didn't get sick literally in Cathbad's chambers).
If Rohan knows, he would've cut in front of Cathbad before the druid went to take the band off. Sweat or no sweat, uncomfortable or not, Rohan would've insisted the band stay on or that he handle anything Cathbad wanted to do around Angus' forehead (rather than just saying 'ears'). Cathbad might have raised an eyebrow about it, maybe even pushed back, but Rohan would've stood firm. Maybe he would let Cathbad check Angus' temperature, but only while being watched like a hawk. (Rohan as Cathbad's hand goes closer: ๐ก๏ธ๐๏ธ๐๐๏ธ) From there, maybe Cathbad could've pieced together reasons for it, but I'd like to think he respects Rohan's friendship with Angus enough to let them have their secrets.
If Rohan didn't know, he wouldn't stop Cathbad, and Cathbad would likely discover Angus' ears. But I don't think he'd say anything. He'd be incredibly surprised, sure, but I think he'd do his work quickly and hide Angus' ears again. I'm assuming he'd make some light allusions to Rohan later to see if he can get more information, but once those all go over Rohan's head, Cathbad would assume he didn't know either - because there's a difference between this guy's "What do you mean, Cathbad? :3" and "I AM PLAYING DUMB" energy.
That's sorta why I'm stuck between the two. As much as I love Rohan being protective over Angus' secret - one that he can't ever mention because he thinks Angus hasn't told him for a reason (which is true, but Rohan just wants more to angst about) - I equally love the idea of Cathbad being protective over Rohan's safety. And Angus', to a lesser extent.
Having Rohan being orbited and actively getting along with a fairy - a tricky sort, as Cathbad calls them - is like openly playing with fire (omg the irony of Rohan being that Mystic Knight). It's dangerous! Or it can be, anyway. At first, Cathbad would keep an exceptionally close eye on the two of them just to see what Angus' intentions are. It's great because Angus has been with Rohan longer than Cathbad ever has, and Cathbad will eventually realize that and back off from his suspicions. Whatever Angus 'wants'... it seems harmless enough. In fact, he genuinely cares for Rohan.
The hard part would be Cathbad putting up with a secret fairy's antics around his magical powder, because he can't scold a fairy and risk its ire, can he? Except Angus isn't openly running around as a fairy, so Cathbad can always scold that boy as a common thief. That might even tie back to how much stank Cathbad throws on calling Angus a 'common' thief so often ๐
But, but, but! I also love the idea of Rohan actively insisting that Cathbad let him handle certain things and never explaining why. It's just nice to have their care for each other reciprocated, and "Defend and Protect ๐ค" is practically the only thing Rohan's able to do. He's a little guard dog with nothing to guard 'cause Angus is fine, or 'cause Angus needs more help than barking and running around. So this would almost be a precious opportunity, and Rohan would really cling to that. I - and therefore Cathbad via my boundless projection - find that kinda enthusiasm charming. :3 And it'd be oddly sacred too, I think, if it turns out to be more than just a silly insistence and instead becomes something where Rohan's actively preventing Angus from getting care unless this mysteriously important rule is followed.
It makes me want to say "Why not both?" As in, Rohan knows, Cathbad suspected or accidentally saw, but they're both pretending like they don't know anything. Eventually, I'd want the two of them to both know (without Angus realizing it) because that'd speak to their own relationship and their commitment to keeping Angus' secret. But especially when Rohan's a kid, I want it to be one or the other, and I can't decide which one I prefer: obviously himbo, or whiny guard dog.
Part 6
Can't sleep + feeling wistful so I'm putting that into a teeny sad fic idea.
The more I think about it, the more I like the idea of Angus knowing who he is.
He knows he's a fairy.
He knows he doesn't have magic.
He knows he has to blend in.
The idea that he's had to hide this part of himself - one he was too young to even finish learning about before he left - does strike me as sad, in a way that I said I wouldn't want Angus to dwell on, but in the same way that... well - he doesn't really dwell on anything. 'Apology accepted, let's make a joke about it and move on'.
For all the angsting Rohan does, I'm starting to imagine it being good for Angus one day. You know Ivar, as an outsider, would be the outside perspective Angus really needs to start pulling back the layers smothering him into silence and self-perpetuating inferiority around all these royals? After being away from his home for so long, after assuming he could never go back, Rohan might be the push Angus needs to finally admit that he misses his family. He knows where they are, but he can't get to them any more than Rohan can, so why does he think it's less of a problem? Angus isn't "technically an orphan," Rohan might explain. He is an orphan.
They aren't going to start with conversations like that right away. Rohan's bullheaded. He'll charge ahead too fast if he gets the chance. But unlike the polycule headcanons, I think Rohan's intimately familiar enough with this kind of pain to be able to tell himself to work up to it. Family and identity has been an emptiness in himself for ages. He isn't going to demand that Angus lets him poke at it immediately, even if he thinks they should do more than just 'play' with the news that Angus is what he is.
The others are all abuzz with excitement that a fairy has been living in their village for so long, undetected, and it stings Rohan to realize it means Angus has been alone and hiding. Even from his best friend.
He might struggle with his emotions for a while, especially with how happy Angus seems at any magic-related revelations. He might feel ashamed at first, that the one person who'd spent so many years keeping him alive and protected never felt Rohan could be trusted to know about this. Then he might feel betrayed and slighted, because hasn't Rohan told Angus every secret he's ever had? Why wouldn't Angus trust him? But then the sorrow would set in, and Rohan would realize this was something Angus couldn't share with anyone, and how lonely it must've been growing up and purposely keeping everybody from learning the truth - about who Angus is, what Angus is, where he was from - but never expecting to go home and be around family who already knew. Rohan's the first one to notice, and the best one to appreciate, how Angus had resigned himself to sacrificing his identity.
The way Rohan starts to bring it up is awkward, but gentle. Angus is patiently dismissive of it, shrugging off Rohan's probing questions about how it feels to "be a fairy again" with a laugh and a brag. It'd stick out as the polar opposite of how Rohan was when he'd been revealed as Draganta - Angus is just so casual about this. Yes, of course he's always known he was a fairy, but any of the others finding out had to be a shock in its own way, right?
The conversation goes with Angus mostly assuring Rohan that he handled the 'Draganta thing' about as well as anyone could, and that Angus being a fairy isn't exactly the same. Nobody - not even Rohan - knew who Draganta really was, or if he was even real. By now, not only had they all met one type of fairy (the ones in Tir Na Nog) and survived, but Angus was perfectly aware of who he was and could ease them into it. Besides, they've committed to keeping this quiet among the five of them and the king and Cathbad, whereas Rohan being Draganta had to be announced and shouted across the land. There's not nearly as much pressure involved.
I picture them being back at the hut for this. It's in the middle of something mundane, when Angus is most at ease and Rohan can partially distract himself (read: hide behind) some sort of chore. It makes the conversation easier, like Rohan's only asking on a whim instead of having planned an entire script over a week. The long stretches of silence fall in as background noise, like a normal result of them concentrating on something else. But Rohan's thinking, thinking, thinking up how to scratch at the next layer.
He'll ask if meeting the fairies in Tir Na Nog made Angus feel any safer. Did Angus trust them more after they proved they could get along with Fin Varra? And after Angus answers that he's always felt safe around them (probably a half-truth that's close enough to the real truth for Rohan to know not to pick at it), and that he never even knew other fairies were around, Rohan presses on: did Angus think he was the only one all this time?
Angus would say he never thought about it. There weren't any around, but that was normal because he was trying to take Rohan to human villages anyway. And he didn't go looking for any, because he didn't expect they'd want to help him. He had nothing to trade and no magic to offer, and with Rohan around, any fairies out there were probably avoiding him. He isn't sad about it. That's just how his life happened to be.
Rohan would push. If Angus had had the choice, would he have stayed with his family?
Angus says, like it's a little obvious, that he had that choice and chose to stay with Rohan.
But Rohan says to pretend like they'd never met that way. Pretend Rohan had never appeared, and Angus simply had to choose between leaving his family to go to a village or staying to be among his kind.
It probably is the first time Angus has considered it. Any night where he looked up at the moon and wondered if his family remembered him, enough to miss him, was covered over by his resolute certainty that "It couldn't be helped" and "That's the choice he made" and "It's been fine out here anyway, because at least Rohan's happy." But to take Rohan out of the picture, to have it plainly be between his forest and his time among the humans...
Angus wouldn't answer. Or he'd deflect. Or he'd joke. Or he'd turn the question back onto Rohan. Whatever happens, Rohan would see it for what it was: doubt.
They'd stop talking about it that day. Rohan would spend the next few days just watching his friend for signs of that doubt beginning to grow.
He isn't hoping for it. In fact, part of him is hoping Angus loves Kells so much that he'd be here even if Rohan wasn't, however that managed to happen. But he's grown up with that doubt in his own heart and knows how it feels having it gnaw on his spirit. Either Angus has let that fester for years and Rohan should have helped him ages ago, or it's about to take root and Rohan can be there to guide Angus through. Maybe it sounds cruel, but with how excited the others are and how many questions they ask - and how many Angus doesn't seem able to answer - it's only a matter of time before this comes up.
Rohan hasn't been able to be there for his friend. Angus starved alone, froze alone, and hid alone just to keep him safe, and seemed to try to keep Rohan ignorant of it happening. As grateful as he is that he found someone like Angus willing to do all of that for him, it isn't fair. Rohan's not a child anymore, and he can't keep letting Angus shoulder this alone. He just wants to help, and he doesn't have many options when there isn't a monster to slash.
This? This, he can help with.
The way Angus talks about the little he knows from childhood is always so... factual. It's missing details and he's constantly shrugging his shoulders, but it only ever stops at that: what he does and doesn't know. Never what he wishes he did. Never what he regrets forgetting. Never what he wanted to learn. All that endless curiosity living in his friend, and all of it withers around that part of his life.
Angus is still hiding from it.
He won't admit how much he gave up to be here, because he's scared he's paid too high of a price. Better to resign himself to ignorance than to find out the truth.
It isn't Rohan's decision. If Angus doesn't want the truth, he doesn't need to have it. He's owed that much at least, after everything he's helped Rohan survive.
But Rohan isn't going to let his friend live like he isn't allowed to wonder. It's a decision he wants Angus to make, not surrender because he thinks it's pointless.
So Rohan waits. Every now and then, he asks a question about what Angus' life could have been, just to see the doubt grow in his eyes as a careful, delicated first step towards wondering about it. One day, eventually, he'd have an answer there instead: Angus' eyes would glaze over at the question, bored to tears by it, or they'd harden in determination, wanting to know the truth. Either way, Rohan was ready - to back off or leap ahead, wherever Angus wanted to go.
I don't think Rohan's going to get to this conclusion on his own. It's a little too sensitive for him to just try. But I think it's something that after enough time as Draganta, he'd feel confident about doubting Angus' lack of doubt. And where does he does he go when he needs a second opinion? The others. Not even Cathbad right away, because he's not so confident that he thinks it's a 'real' problem yet, but he'll absolutely bring it up to the others.
Ivar, for once, might be a bit too cautious in his advice. He's from another land and knows how much commitment it takes to leave it all behind for a quest. Openly second-guessing Angus wouldn't just undermine that resolve, but it would insult him. After all, Ivar made his journey for the most important thing in his kingdom, and Angus made his for Rohan. Ivar warns him not to imply that Rohan wasn't worth this. They both decide not to explore what that implies about Ivar.
Deirdre gives advice that Rohan likes better. She's strong in her role as princess because she knows how much father and family put in to be here. The knowledge they've passed on is why she'll be able to rule wisely one day. Angus has lost all of that by being out here alone. If it'd been out of necessity, she supposes she'd agree with Ivar, but Angus is here by choice. Every chance he's had to go home was one he'd turned down. Who knows what he's given up, and importantly, what he might still regain? And with each passing day, who knows which one will be his last to reclaim everything his family had wanted for him?
It's Garrett that has the harshest dose of reality, and it's the one that pushes Rohan to ask Angus anything. Garrett asks a simple question: if it's a quest, what's at the end of it? What happens once Angus has done everything he can? Does he languish and waste away in Kells, barely a fraction of what he could be, a human to everyone but the six of them? Or does Angus go home and become everything he's supposed to be? If it's the second one, it means he has something for him there. It'd be cruel to keep him away from that, or to not even know.
That's the decision Rohan wants Angus to make. If he wants to know, Rohan will take him back to that forest himself. If not, then at least Angus won't have to fear that itch of doubt anymore.
So with the others having spoken, Rohan slowly works his way through these conversations with Angus. He's never sure which one will be the one that goes too far; he's careful, but talking about this with Angus is new for both of them. But above all, he's kind, trying to make sure he's only asking out of Angus' best interest. Of all the times to be selfish, this can't be one of them, and he finds himself having to practise with Aideen before each new step he helps Angus take. Just to be safe.